Quacking Alone

Everyone I know is flawed. All of the people I love and adore have blemishes. Each of my co-workers, from the boss on down, has defects. And me? If there were a country called Flawed, I’d be its Queen.

I’m working on a new book. Actually, I’m juggling two – a historical and a contemporary. I was working on the historical yesterday when it struck me that the hero was pretty damned tarnished.  My mind flipped over to the contemporary and realized that yep, sho ’nuff, the hero has potholes in his character big enough to drive an 18-wheeler through.  

My personal creative process starts with the characters and builds from there.  From the characters flows the story.  When its going well, one of them will often lead me down a path I never intended to travel, he or she will change the direction of the whole bloomin’ book in a way that’s gonna cause me no end of re-writes.  Those characters, the ones whose tale I’m telling?  They’re never the good guys in the white hats from stable backgrounds earnestly seeking only a permanent committed relationship. 

Invariably, my hero will be the spoiled rascal who’s always lived life on his terms, by his rules.  And those rules, like everything else in his world, tend to favor allowances rather than limits.  His background may have been more or less stable, but it’ll have enough instability, enough challenges, that it’s made him tough, wily, and smart.  My heroes are always smart.  But he won’t be looking to right the world’s wrongs.  Heck, he won’t even be looking to right his own. 

My hero will never walk into the story as the guy avoiding the tawdry, temporary pleasure of sex without strings.  He surely won’t be seeking a committed relationship.  My hero will embrace the tawdry and wallow in the sex whilst avoiding good girls like they were one of those diseases he might pick up in his favorite brothel. 

Yes, you guessed it.  My heroes have always been varmits. 

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Hey guys. Mary Anne’s busy with work on top of work, so she asked me to write a blog entry. Everyone always says to write what you know, and I’m a technology guy, so this is going to be about my take on digital publishing technology and some of the changes in store for books because of it.

First off, I don’t think paper books are going to completely go away. There’s something comforting about the physicality of a book. The smell and feel of the pages, the easy-to-see contrast of the ink on the paper, the order of the vertical lines on a filled bookshelf – it all adds up to an experience you can’t get from any digital device. At least, not yet.

A good model that we can use to see where books are headed is music. Saying that the e-book will eliminate paper books is like saying the MP3 song has eliminated concerts. Obviously, that hasn’t happened. There are sights, sounds, and other stimuli you get at concerts that you just can’t get from iTunes.

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Hi kiddies, AOFM again. Just wanted to inform you all that Griffin’s Law is now available in both paperback and e-book from Amazon, Smashwords, and CreateSpace. Once a few other e-tailers’ systems get finished digesting it, it should be out for the Nook and Barnes & Noble as well. Keep watching our book list page for updates on where all of Mary Anne’s books can be obtained.

Have a great Sunday, and talk atcha laters. AOFM out.

(Upset Hubby Alert – I can’t remember where I read it!)

Read somewhere (hence the hubby alert above) that some of the editors at the big publishing houses are now looking for contemporary romances.  Actually, I think I read in a couple of different places over the last week or two, news that contemporaries may be the next hot thing.  What do I say to that?

THANK GOD, THE GREAT GREEN TOAD FROG AND ALL THE RE-FRIED CLAMS IN THE UNIVERSE!!!

I like historicals and I write historicals, but there are times, many times, when only a contemporary will do.  Some of my favs from that genre are folks like Diana Palmer, Linda Howard, Susan Elizabeth Phillips and Jayne Anne Krentz.  I can curl up in a chair and watch hours pass like minutes while I read one of theirs in paperback form,  or – as I add more to my Sony Reader – in ebook form.  I’m eyeballing a purchase of a Diana Palmer and a Brenda Jackson Westmoreland anthology for my e-reader as we speak. 

I also love contemporaries.  I also WRITE contemporaries.  I previously published Email Enticement, a contemporary set in my home town of Myrtle Beach, South Carolina.  I just published Griffin’s Law, a contemporary set at the University of South Carolina’s Law School in Columbia, SC.  Both books take place at that interesting mental spot where love and the law intersect. So, does my gratitude about the return of the contemporary contain some amount of self-interest?  You bet’cha.

But, keep in mind, that I write contemporaries because I read contemporaries.  I write contemporaries because I love contemporaries.  I don’t agree that you have to write what you know.   I do agree that you have to write what you love.   Enthusiasm and joy and a page turning experience will never happen for a reader if they didn’t first happen for the writer.  Fun is contagious. 

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