Angry Old Fat Dude here, and I’ve been especially steamed recently. Why? Because computers suck and everybody knows it, that’s why.

How strange this is coming from a computer guy, right? 24 years in the industry. I was there at the birth of both the home computer and the publicly accessible Internet. You know what I never witnessed? The promise of a truly easy-to-use computer interface being fulfilled. If you’ve ever had to read instructions on how to simply make the computer do what it was designed for, then the computer isn’t really easy to use.

You don’t need to read a set of different instructions every year to operate a car. Even different makes and models of cars. They all work pretty much the same. They have practically the same interface.

How about other electronics? CD and DVD players work the same way, with the same sort of buttons coded in a universal fashion to tell the user how to operate the machine.

Before the smartphone, plain old phones all worked the same way. You input the unique number of the person you want to talk to, their phone makes a noise indicating that someone wants to talk to them, they pick up the phone and put it to their ears and mouths and you talk to them. This didn’t change for over 100 years.

Now, hold on, you’re probably saying “But AOFM, computers are open-ended devices! They’re not designed with just one thing in mind! They can do ANYTHING!”

Well that’s the problem in a nutshell. It’s a machine that emulates other machines. To do this, a programmer must either utilize the most commonly attached devices – the keyboard, mouse, monitor, and printer – or propose an entirely new device – another machine to be bought, attached, and configured.

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There’s no doubt about who’s winning the  American Indie Revolution.  The castle walls of the old publishing royals stand in ruins.  Even former staunch allies like Barnes & Noble have defected to the insurgent writers.   

“Digital publishing and digital book selling will soon become the most explosive development in the history of our industry and will sweep aside those who aren’t participating,” Leonard Riggio, B&N’s founder and chairman, said during a recent presentation highlighting the company’s expanding forray into the digital market. 

The e-reader market is in the midst of a price war that is putting more and more of the devices into the hands of the book-buying American public.  Fewer readers visit the brick and mortar bookstores as more readers demand that the bookstores come to them, via their PCs, Macs, e-readers, iPods and cell phones.  Via America’s strong and ever expanding wireless networks ebooks get delivered to readers instantly. 

When American publishers lost control of the distribution system, they lost control of the readers and the writers.  Today authors like Joe Konrath have chosen to forego offered publishing contracts for some books, electing to get them out in print and ebook format on their own, thank you very much.  Books of writers doing it their way are, more and more,  transitioning readers to expect stories undiluted by editorial changes demanded by publishers.  An American indie book or ebook is becoming an intimate experience shared only by the writer and the reader.    

But even in the present economic downturn, America’s companies invested the time and resources to build the pipelines that allowed the Indie Revolt to succeed.   Those pipelines are being strengthened as demand encourages more investment.  Our writers can now write their books, publish them, sell them to readers and get paid via those same magic pipelines that funnel money directly into their bank accounts. 

In the heady atmosphere of power and possibility now held by the creators themselves, it becomes rather easy to forget that America’s Indie Revolt is not yet the world’s.  Imagine an American publisher today saying the following:  “Everyone knows that almost all publishers cheat their authors on their royalty payments, and there’s ­nothing the authors can do about it.”

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